阿玛的蛇信，是改造后的形体异化，妖冶诱惑的象征.     路易的舌环，是引导自虐倾向后，激活痛觉，是感知个体的钥匙.     阿柴的刺青，堆叠着传统图胜浓缩着图腾崇拜，是影片中敬畏与恐惧的指向.     神性的自我修饰，有着双性之上的设定.     牙齿，骨片，线香，烟草，酒精都成了修饰与麻痹个体的意象.     都市的影像褶皱里，三人的故事，呈现出似梦似幻的动态，对人动物性部分的诠释，是现实世界里回溯物象同源的逆流，消失在崇高，瓦解在汪洋.     A 100% Eli Roth's cinema, his unique ironies and wicked pleasures embed in so many details, which mercilessly attack Baizuo inside out. I love his weird atmosphere built by mature shots and nice editing, with craziness and a bit of conspiracy theory, and that makes me scared but excited too, just the same as its humor occasionally bursts out when I am in tension, just love it. In addition, the film also leaves room for thinking about aboriginal and modernized behaviors and the distance between them by representing them as this insane way.【2014十佳No.5】

故事取材自1981年轰动全美的真实谋杀案，凶手亚恩·夏安·约翰逊杀死房东后声称自己是被邪灵附体才会行凶，是美国历史上首个被告以「鬼上身」作抗辩理由的案例，因此称为「恶魔谋杀案」.     11岁男孩大卫被邪灵附体，陷入混沌状态，经常看见怪兽恶魔坐在他喜欢的摇椅上，而他身上更出现 离奇伤痕…受惊且束手无策的家人请来沃伦夫妇介入调查，他们发现大卫被43只恶魔缠身，使乖巧的他行为变得异常，例如像野兽般在地上爬行、胡言乱语甚至背诵他没有读过的圣经及《失乐园》章节…沃伦夫妇遂安排神父为大卫驱魔，可惜未见起色，而更诡异的事情接踵而来，大卫姐姐的未婚夫亚恩也开始行为异常，数月后，亚恩更以利刀刺死了房东.     华伦夫妇认为亚恩行凶时被恶灵附身，原来大卫进行驱魔时，亚恩也在现场……